Forward looking and jammed full of ideas

“Schubert’s limited output for piano and violin is well represented here by the delightful lyricism of the early, occasionally bold Sonata, with the rippling B minor Rondo (sans introductory Andante) and ambitious Fantasia characteristically Schubertian essays, forward-looking and jammed full of ideas. Madojan and Westenholz are strong, articulate, well-proportioned and mutually reciprocal partnership.
— Michael Quinn