The performance of the Tchaikovsky’s ‘Meditation op. 42 no. 1’ was melancholically romantic while the explosiveness of the well-known “Carmen Fantasy” by Waxman was engaging… and allowed the soloist to obtain the approval and admiration of the audience.
The audiences had also appreciated the interpretative expertise of the Bach’s “Chaconne” from the “Partita No.2 in D minor” and the “Sonata op. 30 No. 3 in G major”, bursting in lavish applause.”
— Gianluca Bauzano